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《毛诗序》里有这样一段话:“诗者,志之所之也,在心为志,发言为诗,情动于中,而形于言,言之不足,故嗟叹之,嗟叹之不足,故永歌之,永歌之不足,不知手之舞之,足之蹈之也。”由此,人“情动”至“足蹈”体现着中华千年古老文明“诗之志”表达的至情至信。为迎接2005年12月3日“国际残疾人日”,中国残疾人艺术团推出大型音乐舞蹈“我的梦”作品Ⅲ,在人民大会堂亮相。总政歌舞团团长张继刚在编导《千手观音》后,此次推出新编舞蹈之一《始于足下》,由八个无臂男青年表演。
There is such a passage in Mao’s Preface: “The poet, the place of the mind, also has the heart, the speech is the poem, the emotion moves in, Therefore, people ”love movement“ to ”full dance“ embodies the expression of the ”poetic ambition“ of the ancient civilization of China for thousands of years Loving to the letter. In order to meet the ”International Day of Persons with Disabilities“ on December 3, 2005, the China Disabled People’s Performing Art Troupe launched the work ”My Dream“ of large-scale music and dance, Ⅲ, and appeared in the Great Hall of the People. After curating ”Avalokitesvara,“ Zhang Jigang, head of the General Political Department Song and Dance Troupe, launched one of the newly-created choreographies, ”Began From The Bottoms," and performed by eight armless young men.