去年春晚一个《千手观音》留给观众无限的赞誉,今年春晚的《岁寒三友》、《俏夕阳》则成了人们赞誉最多的“主角”。那么,舞蹈从伴舞尴尬境地的“配角”渐变为“主角”,这种“角色”转变带给我们的思考是什么?一、受众体认知的提高春节晚会有诸多条件构成,其主要一条是热闹,于 Last year ’s Spring Festival Evening “Avalokitesvara” left unlimited praise to the audience this year’ s Spring and Autumn Anniversary of the “Friends of the Year,” “Pretty Sunset” has become the most praised the “protagonist. So, dance from the embarrassment of dance accompanied by the gradual change of ”supporting role“ to ”the protagonist“, what does this ”role" change bring to us? First, the audience awareness of raising the Spring Festival evening there are many conditions, the main one is Lively, at