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当今音乐文化的总体发展呈现多元化趋势,声乐艺术的发展也是如此。而对中西声乐文化长期以来的摩擦、交流、融合,一直是声乐界普遍关注和现实发展的问题。本文主要以青年歌唱家吴碧霞在对待中西两种唱法中成功采取的“中西合璧”的艺术实践为例,探究其“中西合璧”的文化渊源,对民族传统文化的学习研究,尤其是中国戏曲文化。牢牢把握这种戏曲文化的特点,把握当今声乐文化发展的方向,在中西声乐文化交汇中创造出全新的艺术形态。未来在与西方的文化冲突与融合中,必将走向文化整合,在整合过程中我们不仅仅是被选择,还会被借鉴,形成全新的文化形态。
The overall development of music culture today presents a diversified trend, as is the development of vocal music. However, the friction, exchange and integration of Chinese and Western vocal cultures have always been a common concern and realistic development of the vocal music industry. This article mainly takes the young singer Wu Bixia ’s art practice of “Chinese and Western combination” successfully taken in the two singing styles of China and the West as an example to study the cultural origin of “Chinese and Western cultures” and the study of traditional culture of the nation, especially Chinese opera culture. Firmly grasp the characteristics of this opera culture, grasp the direction of the development of vocal culture today, and create a brand new art form in the intersection of Chinese and Western vocal cultures. In the future, in the conflict and integration with Western culture, we will certainly move toward cultural integration. In the process of integration, we will not only be chosen, but also be borrowed to form a brand new cultural formation.