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一点都不夸张,山西抗战文学是在烽火中诞生、成长、深化、成熟的。也许正是在这硝烟的弥漫中,才孕育了山西抗战文学,形成了“山药蛋”派,标示出唯独属于这厚土的一种文化震荡。在此意义上,山西抗战文学相对于整个抗战文学和中国现代文学,就不仅显示了一种特殊的形态,特殊的意义,而且在一定程度上,是以其主体的冲击力,直接或间接地对中国现代文学和全国抗战文学,输送了一种山地文化的独特价值和非同小可的现实影响。
It is no exaggeration to say that the Shanxi anti-war literature was born, grew, deepened and matured in the flames. Perhaps it is in the pervasiveness of this smoke that it gave rise to the Shanxi Anti-Japanese War literature and formed a “yam egg” school, marking only a cultural shock that belongs to this thick soil. In this sense, Shanxi Anti-Japanese War literature not only shows a special form and special meaning relative to the entire anti-war literature and Chinese modern literature, but also, to a certain extent, directly or indirectly It conveys the unique value of mountain culture and the real influence on the modern Chinese literature and national anti-war literature.