自隋唐渐趋成熟的乐籍体系使音声技艺形成一种制度化、体系化的创承与传播状态。除了官属乐人发挥核心主体作用之外,社会各阶层的互动与促进作用亦不容忽视。文人因其特殊社会身份和主动创作需求而广泛地接触专业乐人,成为乐籍体系创承音声技艺中的重要参与者。因出身、仕途等原因,文人接触乐人及音声技艺的途径与场合不尽相同,这直接影响其参与创承的类别、方式、态度,由此也呈现出史籍所载之丰富样态。 Music system gradually matured since the Sui and Tang dynasties made the sound art form a systematic and systematic creation and dissemination. Apart from the role of official musicians in playing the core role, the interaction and promotion of all social strata should not be overlooked. Because of their special social status and creative needs, literary people have extensive contacts with professional musicians and become important participants in the sound system of music and music system. Due to reasons such as origin, career and other reasons, the ways and occasions that literati come into contact with musicians and phonetic techniques are different, which directly affects the categories, modes and attitudes they take part in creating creations. Therefore, they also show the rich patterns contained in historical books.