谢尔盖·谢尔盖耶维奇·普罗科菲耶夫(Sergei Sergeyevich Prokofiev,1891—1953)是20世纪前苏联著名的作曲家之一,由他创作的C大调《第三钢琴协奏曲》(op.26)亦是音乐史上久负盛名的钢琴协奏曲之一。本文通过对普罗科菲耶夫在其第三钢琴协奏曲第二乐章中复调技法运用的分析,来进一步探寻作曲家创作中复调思维的形成及其对复调技法的灵活运用。一、普罗科菲耶夫的生平以及创作概况 Sergei Sergeyevich Prokofiev (1891-1953) was one of the most famous composers in the Soviet Union in the 20th century. His “Piano Concerto No. 3” in C major, (op.26) is also one of the prestigious piano concerto in the history of music. By analyzing Prokofiev’s use of polyphonic techniques in the second movement of his Third Piano Concerto, this article explores further the formation of polyphyletic thinking in composer writing and its flexible application of polyphonic techniques. First, Prokofiev’s life and creative overview