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文以载道,是中国几千年积淀的文化精粹。个人的悲喜只有和国家民生的悲喜融合在一起,才具有更为深刻和广泛的意义。本文以定性的分析为主,试图从社会生活层面去把握农村题材创作的方向和创作的基本立足点。
Text to contain, is the cultural essence of China accumulated thousands of years. Only when the personal joys and sorrows merge with the sadness and happiness of the people’s livelihood in the country will it have more profound and extensive meanings. This dissertation focuses on qualitative analysis, trying to grasp the basic foothold of rural theme creation and creation from the perspective of social life.