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阅读、讨论田卫作品.不谈“水墨”、“抽象”几乎是不可能的,尽管他从未置身于上世纪90年代中期开始的“抽象水墨”运动中,也未曾受到过这些艺术现象的直接影响,但这依然构成了讨论其作品的逻辑起点之一。“水墨”与“抽象”的问题同“水墨”与“写实”的问题一样复杂,且具有一个历时性的过程。自20世纪以来,所谓“水墨”便不断地纠结于各种流行的现代艺术概念,“写实”如此,“抽象”同样如此。这也使得我们在讨论田卫的作品时,具有了一个基本的现实语境。
It is almost impossible to read or discuss the works of Tian Wei, not to mention “ink painting” and “abstract”. Although he has never been in the “abstract ink and wash” campaign since the mid-1990s, Having been directly affected by these artistic phenomena, this still constitutes one of the logical starting points for discussing his work. The problems of ink painting and abstract are as complicated as those of ink painting and realism and have a diachronic process. Since the 20th century, the so-called “ink and wash” has constantly entwined various concepts of modern art, such as “realism” and “abstraction.” This also makes us have a basic realistic context when discussing Tian Wei’s works.