杨:刘老师,刚刚结束的九届美展是中国美协主办的对本世纪美术创作最后一次大检阅,无疑带有总结的性质,我们想请您结合九届美展,谈谈本世纪特别是改革开放二十年来中国画的发展与变革。刘大为(以下简称刘):作为一门优秀的传统艺术,中国画以其深厚的文化底蕴、独特的表现形式和审美情趣而具有无穷的魅力,毫无愧色地屹立于世界民族艺术之林,这是我们每一个艺术家都为之自豪的事情,而且随着我国经济的进一步发展,中国画也日益受到世界范围的关注。作为东方艺术的代表,它形成了完整的程式、规律。和西方绘画截然不同,西方人画山就是山,而我们却赋予其一定的 Yang: Teacher Liu, the just concluded 9th Art Exhibition is the last major review of this century’s art creation sponsored by the China Artists Association. It undoubtedly brings the nature of the conclusion. We would like to invite you to combine the 9th Art Exhibition to talk about this century, especially the reform and opening up Development and Reform of Chinese Painting in the Past Twenty Years. Liu Dawei (hereinafter referred to as Liu): As an excellent traditional art, Chinese painting has infinite charms with its profound cultural background, unique forms of expression and aesthetic taste. It stands without any shame on the world art of nationalities Every one of our artists is proud of it, and with the further development of our economy, Chinese paintings are increasingly gaining worldwide attention. As a representative of Oriental art, it formed a complete program, the law. In contrast to Western painting, Westerners draw mountains as mountains, and we give it a certain degree