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在西方美学史上,朗吉弩斯首先论述崇高问题,但他主要是把崇高作为文章风格,试图找出崇高风格的构成因素。伯克则发展了这种认识,将崇高作为一个独立的审美范畴,并使之与美这一审美范畴相并列。把崇高与美严格地区别开来,阐明它们各自的特点,这是伯克的首创。他对崇高感的心理生理基础以及崇高对象的特质做了深入细致的分析,探讨使我们产生崇高感情的因素。依照伯克的分析,崇高对象的感性性质必须满足以下的要求:
In the history of Western aesthetics, Longines first discussed the issue of loftiness, but he mainly considered sublime as the style of the article in an attempt to find out the factors that constitute the lofty style. Burke developed this understanding by using sublimity as an independent category of aesthetics and placing it in line with the aesthetic category of beauty. It is Burke’s initiative to distinguish the sublime and the United States strictly and clarify their respective characteristics. He made a detailed and detailed analysis of the psychophysical basis of loftiness and the qualities of lofty objects and explored the factors that gave rise to our lofty feelings. According to Burke’s analysis, the perceptual nature of sublime objects must meet the following requirements: