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《希望》这幅油画运用了点彩的技法,把冬天的寒冷运用了暖色调来调和,使得冬天也变的不在寒冷,有了新的希望。《玉兔》工笔人物画点出线造型优美,从勾出线描稿开始就被打动了。在绘画过程中我站在欣赏者的角度理解、欣赏、感受中国占代绘画艺术的精美及其作画过程,而不是把自己当成作者。这幅人物画色彩绚烂,技法多样,体现了工笔人物的精髓。《秋》在2001年老家的山下整齐的梯田上黄腾腾的油菜花一条一条的排列在山岗上。清净恬然又生意盎然蕴藏着生命的力量,顷刻间激发起了我内心的冲动,生命可以如此美丽。
“Hope” This painting uses the technique of spot color, using the warmth of winter to reconcile, making the winter not cold, with new hope. “Rabbit” strokes figure exquisite modeling line, from the hook line drawing began to be touched. In the process of painting, I understood, appreciated, and felt the beauty of Chinese painting art and the process of painting it, rather than treating myself as an author. This figure painted colorful, diverse techniques, reflecting the essence of the fine brushwork. “Autumn” in 2001, home down the mountain terrace neat yellow rape arranged one by one in the hills. Pure and fresh and clean business contains the power of life, an instant inspired my heart’s impulse, life can be so beautiful.