谭根雄的《紫禁城》系列,应验了中国古时的《周礼·考工记》所记载的“匠人营国,方九里,旁三门,国中九经就轨,径涂九规”的筑城营构姿态,呈“井”字型而四平八稳,濡化和点缀《紫禁城》王朝历史的象征意义,又十分巧妙地切合西方蒙德里安的冷抽象矩形阵形式,构筑了现代视觉艺术的特殊语境,给人一种极为强烈的视觉冲击力。 Tan Gen-hung’s “Forbidden City” series fulfilled the construction of the fortified city “Trained in Kaoru, Fangguri, Panyanmen, Guoshongjiu Jiujiujiujiu,” recorded in “Zhouli Keogongji” in ancient China Gesture, “well” shape and smooth, pervaded and embellished the symbolic significance of the “Forbidden City” dynasty history, but also very cleverly meet the Western Mondrian’s cold abstract rectangular array form the special context of modern visual arts, Gives a very strong visual impact.