论文部分内容阅读
作为影视行业的新生事物,由甘肃省委宣传部启动的“‘中国梦’·凡人善举天天看”微纪录电影工程创作的500部微纪录电影,在当前新媒体环境下进行全新尝试和探索。这些微电影在影院、电视台与网络同步播出,引起很大的社会反响,形成了一种“微纪录电影”现象。对这个传播现象进行学术研讨,在新闻传播学界和业界极具意义。本文以此为案例,针对新媒体和自媒体环境下应运而生的微纪录电影,从样态、特征及叙事模式进行研讨。
As a newcomer to the film and television industry, 500 microfilm films created by the Micro-Documentary Film Project, launched by the Propaganda Department of Gansu Provincial Party Committee and conducted by the ’China Dream’ explore. These micro-movies broadcast in theaters and TV stations in synchronization with the Internet, causing great social repercussions and forming a phenomenon of “micro-record movies.” Academic research on this phenomenon is of great significance in the field of journalism and communication and the industry. This article takes this as a case study of the micro-record films that came into being in the new media and self-media environment from the aspects of modality, characteristics and narrative modes.