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这一期的“电影史研究”栏目共汇集了4篇文章,其中郭海燕的《论联华影业公司影片创作的异质性》延续了前两期“电影史研究”栏目中关于中国现代电影史上几家著名电影公司研究的主题,但其视角有所不同。如果说前两期的几篇文章分别探讨了天一影片公司的经营策略、艺华影业公司的宣传策略、电通影片公司夭折的原因、明星影片公司开辟拓展影院市场的发展脉络和新华影业公司及其老板张善琨在上海“孤岛”与沦陷时期的处境和做法等,那么郭海燕
This issue of “Film History Research” column brings together four articles, of which Guo Haiyan’s “On the Ulinoft Film Company’s heterogeneity” continues the first two “movie history” column On the subject of the study of several famous movie studios in the history of modern Chinese movies, but with different perspectives. If several articles of the first two issues respectively discuss the operation strategy of Tianyi Film Company, the propaganda tactics of Yihua Film Company and the reason of the death of Dentsu Film Company, the development of Star Film Company to develop the development cinema market and Xinhua Film Industry companies and their boss Zhang Shankun in Shanghai “island ” and the situation and practices during the fall, then Guo Haiyan