一个显而易见的事实是,“泛裸体现象”在当今艺术和生活中广泛流行并渐渐获得主导势力。“泛裸体”,在我看来是一个隐喻的提法,言下之意乃是在当今文化语境中,裸体不仅成为艺术表现的首选素材,而且成为文化表征的主要意象。全面论述泛裸体的文化意义,决非这篇短文所能胜任的大课题,笔者仅仅想从身体在“拟像”文化之中的地位看泛裸体艺术的思想史意义。 One obvious fact is that “pan-nudity” has become widely prevalent in contemporary art and life and has gradually gained the dominance. “Pan-nude” is a metaphorical reference to me. The implication is that in today’s cultural context, nudity not only becomes the material of choice for artistic expression, but also becomes the main image of cultural representation. To comprehensively discuss the cultural significance of the universal nude is by no means the big issue that this essay can be competent. The author only wants to see the meaning of the history of the pan-nude art from the perspective of the status of the body in the “simulacrum” culture.