伦敦特拉法加广场纳尔逊雕像后的国家艺术画廊,偌大的场馆中,导游引导着我们不断进入一个个展厅,最后停在一个众人云集的角落。透过人群之间的缝隙,印在瞳孔之上的,是亮眼的黄色——凡·高的《向日葵》。霎时,一如当年他作画所在的法国南部小城阿尔勒的阳光,画作上的亮丽跨越一个多世纪的尘埃,依旧照亮着这个展厅朴素的白色墙壁。在清澈的讲解声中,脑海中浮现出那个自画 After the Nelson statue at Trafalgar Square in London, the National Art Gallery and the huge venues led us to enter one exhibition hall and finally to a corner where everyone gathered. Through the gap between the crowd, printed on the pupil, is dazzling yellow - Van Gogh’s “sunflower.” In an instant, just as the sunlight in Arles, a small town in southern France where he painted, was painted brightly for more than a century and the bright white walls of this exhibition hall still lit up. In the clear voice, mind that emerged from the painting