本文运用叙事学理论,对《聊斋志异》的叙事视角做了初步分类。通过对作品进行细致分析,可以看出《聊斋志异》中运用了多种叙事视角,并且作者有意识地调动了叙事视角的功能作用,使得小说的叙事达到了很好的效果,是中国小说叙事艺术的一大进步。 This article uses the theory of narratology to make a preliminary classification of the narrative perspective of “Strange Tales in a Lonely Studio”. Through detailed analysis of the works, we can see that there are many narrative perspectives in Strange Stories from a Chinese Studio, and the author consciously mobilizes the functional role of the narrative perspective so that the novel’s narrative achieves good results. A big step forward in art.