“交响音乐需要观众,没有观众就没有出路”。这是七年前我在中央乐团指挥李德伦家中采访时,他留给我印象最深的一句话;其中给我感觉最强烈的便是“急”和“赶”这两个字。当时,一台交响音乐会节目仅能演出一、二场,上座率有时还不到三成,这怎么不叫他这个当指挥的着急呢?观众是需要培养的。于是,他象赶场子卖艺似的从一个大学赶到另一个大学,举办音乐讲座,开交响音乐欣赏会。真是马不停蹄地“赶”呵! 时隔七年。在李德伦作为成立不久的山东歌舞剧院交响乐团的特约指挥与该团一起来上海演出期间,我在上海音乐学院指挥系的大教室里,利用他给指挥 “Symphony music requires an audience, there is no way out without the audience.” This was the sentence I most deeply impressed when I was interviewed by the Central Orchestra conductor Li Deren seven years ago. The strongest thing I feel is the words “hurry” and “rush”. At that time, a symphony concert program can only perform one or two games, attendance is sometimes less than 30%, why not call him this as a matter of command? The audience is to be cultivated. As a result, he rushed to another university like a hurry-go-go-go-go-go-go for a music lecture and an orchestral music appreciation session. Really non-stop “rush” Oh! After seven years. In Li Delun as a special conductor of the soon-to-be established Symphony Orchestra of Shandong Song and Dance Theater, accompanied by the regiment in Shanghai, I used his command in the large classroom of the Conductor Department of Shanghai Conservatory of Music