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作为“九叶”诗人之一的唐湜在20世纪40年代就开始从事诗歌创作和研究,在被错划为右派期间历经了人生的种种坎坷与磨难;然在20世纪七八十年代诗人重返诗坛,身兼诗人与评论家的双重身份的唐湜,其诗歌创作和诗论在新的时期都取得了引人注目的成绩。本文试图通过诗人主体对诗歌理论的建构探寻诗人如何将苦难的人生转化为幻美的旅程,同时尝试性地解读历经现实磨难后心境对诗人诗歌创作的影响。
As one of the “Nine Leaves” poets, Tang Yong began to engage in poetry writing and research in the 1940s. After being mistaken for the right, Tang Er experienced many ups and downs of life. However, in the seventies and eighties of the 20th century When the poets returned to the poetic world, Tang Yong, who is both a poet and a critic, has made remarkable achievements in his poetry and poetics in the new period. This article tries to find out how the poet transforms the life of misery into the journey of illusion through the construction of poet’s theory by the poet’s main body. At the same time, it attempts to interpret the influence of the state of mind upon the poet’s poem creation through the realistic torture.