“我用眼睛倾听,用耳朵端看。”——亚历山大·迪斯普拉特现如今的好莱坞配乐领域,存在着一个普遍的问题:某些音乐段落,你会觉得似曾相识。这不仅是每个配乐家的问题,导演们也得为此感到羞愧。大多数导演不会将配乐视为重要的环节,样片完工后,他们才会想到寻找配乐师。临时的创作,潦草的剪辑,它们令电影配乐失去了最本真的生命——《星际穿越》里恢弘的管弦乐,似乎与《蝙蝠侠:黑暗骑士》中的没什么区别。欣慰的是,在好莱坞,总有几个异类将音乐视为电影的生命。当你听见《戴珍珠耳环的少女》中妩媚的华尔兹和《逃离德黑兰》里蜂 “I listen with my eyes and look with my ears. ” - Alexander Despatter Nowadays, there is a common problem in the field of Hollywood soundtracks: you will find demeanor some passages of music. This is not only a matter of each musician, but directors are also ashamed of it. Most directors will not be the soundtrack as an important part of the sample is completed, they will think of looking for musicians. Temporary creations and scrawled clips that deprive the soundtrack of its most authentic life - the grand orchestra in “Interstellar Crossing” seems to be no different from that in “The Dark Knight of Batman: The Dark Knight”. The good news is that in Hollywood, there are always a few different ways to think of music as the life of a movie. When you hear the charming waltz of “The Girl With Pearl Earrings” and the Bee “Escape From Tehran”