论文部分内容阅读
2016年8月的一天,天气虽已入秋,但依然酷热难耐。我们在乐海乐器有限公司研发副总宋营彬的引领下,采访了乐海公司弹拨乐器调试技师边士钦。行走在乐海乐器生产年间内,琳琅满目的各式民族乐器整齐地分布在车间的停放区内,静静地等待着能工巧匠们的进一步雕琢、修整。见到边士钦的时候,她正在工位上专注地调试着一把中阮,看到我们到来,她将中阮轻轻放下,与我们谈起了她这些年从事乐器调试的经历。
One day in August 2016, the weather is still in its infancy although it is autumn. Under the leadership of Song Yingbin, vice president of R & D for Le Sea Musical Instruments Co., Ltd., we interviewed Le Shiqin, a technician who commissioned plucked instruments in the music industry. Walking in the music production years, a variety of ethnic instruments are neatly arranged in the workshop parking area, quietly waiting for craftsmen who further carving, dressing. When she met Shih Chin, she was working on Zhong Nguyen in a focused position. When we saw us, she gently lowered Nguyen and talked with us about her experience in musical instrument debugging over the years.