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作为兴起于晚明时期的一种新型出版物,诗词画谱既融通了文学与绘画两个艺术门类,又集中呈现了晚明徽州书坊的刊刻技艺与审美取向。晚明诗词画谱的繁荣,以《诗馀画谱》为发端。本文以《诗馀画谱》为中心,考察以《诗馀画谱》为代表的诗词画谱在版式设计、出版意图、刊刻工艺等多个方面的创新,重点探讨其版刻图像与书法的“临仿”手段,以此窥见晚明徽州版刻的审美风尚与文化趣味。
As a new publication that emerged in the late Ming period, poetry and painting not only melted the two art categories of literature and painting, but also focused on the publication techniques and aesthetic orientation of Huizhou’s bookstores in the late Ming Dynasty. The prosperity of the late Ming poetry painting, with “poetic painting” as the starting point. This article focuses on the poems in the poem “Yu Shi Yu Pu” as the center, and explores the innovation of poems in the aspects of layout design, publishing intent, printing technique and so on. Imitation "means, as a glimpse of the late Ming Huizhou version of the aesthetic fashion and cultural interest.