《詩經》漢學有《毛詩》與三家《詩》兩套系統,後者於魏晉至兩宋間漸次亡佚,遂激起後世學者搜亡輯佚的興趣和熱情。自宋末大儒王應麟以至民初碩學王先謙,學人相繼,蔚然成風。三家《詩》輯佚尤其興盛於清代,於清代又以道光年間爲最著。雖然乾嘉考據學的高潮已經過去,晚清今文經學思潮仍在醞釀之中,但於三家《詩》來說,卻是重要著作迭出的時期。一批知名學者接連將三家 There are two systems in the “Book of Songs” such as “Mao Poetry” and “Three Poems”, which gradually disappear from Wei and Jin Dynasties to the two Song dynasties, provoking the interest and enthusiasm of later scholars. Since the end of the Song dynasty king Confucianism as well as the early Ming Wang Xianqian scholars, scholars have succeeded, common practice. The three “poem” series were especially famous in the Qing Dynasty. In the Qing Dynasty, they were the most famous in the Daoguang period. Although the climax of Qian-Jia textual research has passed, the trend of modern-Confucian classics is still brewing in the late Qing Dynasty. However, in the three “poems”, it is a period in which important writings overlap. A group of well-known scholars will be three in succession