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南朝肖子云云:“苟无新变,何以代雄”。数千年来,中国艺术家立足于此,踏着前人足迹,探寻未竟之境,造就了中国画艺术的蔚为大观和辉煌成就,延续了华夏优秀传统文化的血脉生生不息。时代发展到今天,立足传承与创新,保持中国画艺术的生命活力,仍是众多有责任担当,有开拓意识的中国艺术家的根本追求。十二届全国美展之后,中国艺术界一篇唏嘘之声。除大多作品偏重制作技巧,忽视笔墨精神的现象让人大跌眼镜外,六成左右的中国画作品无书,无诗亦让
South Xiao Ziyun: “Gou no new change, why generation male”. For thousands of years, based on this, Chinese artists marched on the footsteps of their predecessors and explored unfinished realms, creating a spectacular and glorious achievement in the art of Chinese painting, continuing the vigorous development of excellent Chinese traditional culture. Today’s era, based on inheritance and innovation, to maintain the vitality of Chinese painting is still the fundamental pursuit of many Chinese artists who have a responsibility to play and who have a pioneering spirit. After the 12th National Art Exhibition, the Chinese art world sighs. Apart from the fact that most works emphasize on making techniques and neglect the spirit of pen and ink, people in the world have no books or no poems