漳州的剧作家擅长写这样温情脉脉的喜剧,在汤印昌的《母子桥》《保婴记》之后,《憨人大传》是漳州温情喜剧的一个收获,也是福建近年来难得的喜剧。与《保婴记》一样,《憨人大传》里没有一个坏人,戏剧冲突不是敌我、正邪双方你死我活的较量和角逐,而是埋下一个个伏笔,因为误会、巧合而产生冲突,用智慧和善良来化解矛盾。姚溪山长期在芗剧团工作,当过剧团的书记,对这个剧种再熟悉不过。这个戏在行当设置、唱词设计,甚至舞台动作表演等方面都具有浓郁的芗剧风格。芗剧并不擅长于大历史的恢弘壮烈,更长于家长里短的絮絮叨叨,世 Zhangzhou’s playwright is good at writing such a warm-hearted comedy. After Tang Yinchang’s “Mother-son Bridge” and “Baby-keeping”, the “Big Man” is a harvest of warmth comedy in Zhangzhou and a rare comedy in Fujian in recent years. As with Baoyin Ji, there is not a bad person in the “Undead Biography”. The drama conflict is not a contest between yourself and the enemy, neither you nor the enemy is dead or alive. Instead, the conflict is misplaced and coincidental, with wisdom and Good to resolve conflicts. Yao Xishan long-term opera troupe work, worked as theater secretary, familiar with this drama. The show has a rich style of play in the business setting, libretto design and even stage performance. Shi drama is not good at grand majestic history, longer than the parents in the long ramble, the world