鱼纹作为仰韶文化彩陶的主要花纹，贯穿于这一文化发展脉络的始终。鱼纹的造型，从最初的自然形到抽象造型的演进过程，从某种意义上说，它标志着人类的思维方式从低级阶段向高级阶段发展的渐进过程。它作为一种最初的发展样态，无论从它的思维方式及对造型与色彩的表达，对中 Fish pattern as the main pattern of Yangshao culture pottery, runs through the cultural context of development from beginning to end. The shape of the fish pattern, from the initial natural form to the abstract form, marks in a sense the gradual progress of the human way of thinking from the low stage to the high stage. It as a kind of initial development state, no matter from its way of thinking and the expression of modeling and color,