普罗柯菲耶夫音乐中的复调织体并非主要,但为数倒也相当多。他较少采用复调最常用的模仿手法,而把复调作为发展声部进行的结果。包括伴奏声部在内的诸声部的独立性,有时可能达到对比的程度。可是由两个以上对比主题构成的真正的对比复调形 The polygons in Prokofiev’s music are not major, but they count down quite a bit. He seldom uses the most commonly used imitative technique of polyphony, and uses polyphony as a development voice. The independence of parts, including accompaniment parts, can sometimes be contrasted. But by more than two contrast themes constitute the real contrast polyphony