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在漫长的封建社会里,女性是弱势群体,男性至上的观念早已被深深地植入了世人的心中,并随时光的推移逐渐积淀成一种不可抗拒也难于摆脱的“集体无意识”。但是,那个男权异样强大的封建社会里,女性却总是被戏曲作品所关注,剧作家们总是倾注极大的热情表现她们的痛苦、追求和抗争。中国戏曲作品中女性被重视的程度与现实生活中的女性被忽视的情形形成了鲜明的对照。这种现象的产生是和中国传统的美学观念、创作主体与接受主体等多方面的因素相关联的。
In the long feudal society, women are the vulnerable groups. The concept of male supremacy has been deeply rooted in the hearts of the people and gradually becomes a “collective unconscious” irresistible and hard to get rid of with time. However, feudal society with a strong patriarchal power, females are always concerned with the drama works. Playwrights always devoted their great enthusiasm to show their pain, pursuit and resistance. The degree to which women are valued in Chinese operatic works contrasts sharply with neglected females in real life. The emergence of this phenomenon is related to many factors such as the traditional Chinese aesthetic concept, the creative subject and the accepted subject.