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中国是一个历史悠久的文明古国,不仅有丰富的美学遗产.还有至今仍具强大生命力的戏曲遗产,研究这些珍贵的遗产,对推动我们今天的美学、戏曲的发展和增强民族的自信心有着重要的意义。中国古代美学和中国戏曲的研究是千百年来古今中外学者都热衷的重大课题,真可谓百家争鸣、百花齐放,学术之博,成果之硕,为世人所仰慕。京剧是我国戏曲艺术中具有代表性的剧种,本文着重阐述京剧与中国美学写意原则的关系。
As an ancient civilization with a long history, China is not only rich in aesthetical heritage, but also has a strong legacy of the opera so far, studying these precious heritage and promoting the development of today’s aesthetics and drama as well as enhancing national self-confidence Significance. The study of ancient Chinese aesthetics and Chinese opera is a major topic that the Chinese and foreign scholars have craved since ancient times and for centuries. It is truly a hundred schools of thought contending, full of flowers, and a booming academic field. Their achievements have been admired by the world. Beijing Opera is a representative drama in Chinese opera art. This article focuses on the relationship between Beijing opera and the freehand brushwork of Chinese aesthetics.