十多年来,现实生活告诉我们,随着经济的发展,社会文化生活愈来愈丰富多彩,文化市场的内涵和外延随之在拓展。长期以来,我们的文化市场忽略了青少年文化建设,又加之现代化大众传播工具的发展和普及,没有适当地制约或者无法制约,因此,中学生在沉甸甸的书包加上了像块砖头一样的录像带。它替代了过去自由交换图书、音带,形成了中学生“文化交流市场。”据有关部门统计,上海市区家庭录像机拥有量已达四分之一,而高中年级学生的家庭拥有量可达二分之一。如何防止成人文化对青少年身心健康的不良倾向,这是文化市场“扫黄”初战告捷之后仍困扰着社会和文化市场的棘手问题。青少年在文化消遣中是消费者,又是被教育者,而后 More than a decade, real life tells us that with the economic development, social and cultural life more and more colorful, the connotation and extension of cultural markets followed. For a long time, our cultural market has neglected the construction of youth culture, coupled with the development and popularization of modern mass media, has not been properly restricted or controlled. As a result, secondary school students add a brick-like videotape to the heavy bag. It replaced the past free exchange of books, soundtracks, forming a secondary school students “cultural exchange market.” According to statistics from relevant departments, the Shanghai area home video recorder has reached one-quarter, while the high school grade students have a family possession of up to two points one. How to prevent the adult culture from adversely affecting the physical and mental health of adolescents is a thorny issue that has plagued social and cultural markets even after the initial victory of the anti-vice “yellow culture” in the cultural market. Adolescents in the cultural entertainment is the consumer, but also be educated, and then