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巴拉兹在他那本《电影美学》里谈到电影的现实品格时,举出电影史止的第一部片子《工厂大门》为例,当银幕上映出满面倦意、营养不良的工人们走出工厂的大门时,使观众们兴趣盎然:这正是他们自己!他们十分亲切的日常生活!电影以它诱人的魅力一下子征服了观众。电影的历史迄今整整走过了百年,这号称第七艺术对生活内容吸纳在时空上可以说是“上穷碧落下黄泉”,穿越时空的隧道无所不能,空前广阔。
When talking about the realistic character of the film in his book The Aesthetics of Cinema, Barras quotes the “factory gate” as the first film in the history of the movie. When the screen is full of tired, malnourished workers Out of the factory gate, the audience was full of interest: this is exactly what they are! Their very gracious daily life! The film conquered the audience with its attractive charm. The history of the film so far passed a hundred years so far, which claimed that the seventh art to absorb the content of life in time and space can be described as “the poor blue under the sky,” across the tunnel of time omnipotent, unprecedented.