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凯特·肖邦的小说《一小时的故事》中的多重视角和叙述声音引发了中外学界对小说的不同阐释,争论的焦点为它是否是一部女性反抗男权社会的作品。通过分析小说中变换的视角和叙述声音,剖析作品中蕴含的双重立场,即同情受到婚姻束缚的女性追求自由和自主的立场及将女性视为弱者而过度保护女性的男权立场,揭示叙述者和男权社会合谋杀害女主人公于叙述中的真相,并探讨肖邦对女性自由和自主所持的既同情又反讽的矛盾态度的原因。
The multiple perspectives and narrative voices in Kate Chopin’s novel One Hour Story have led to different interpretations of novels by Chinese and foreign scholars. The debate has centered on whether it is a work of women against patriarchal society. By analyzing the changing perspectives and narrative voices in the novel, this paper attempts to analyze the dual position implied in the work, namely, sympathizing with the women who are bound by marriage to pursue their positions of freedom and autonomy and overly protecting their rights as females, revealing the narrator And patriarchal society to kill the heroine in the narrative of the truth, and to explore Chopin’s freedom and autonomy held by women both sympathetic and ironic contradictory attitude.