新文人书法作为文化转型时期的艺术标志,更典型地体现出中国文化在新环境的生存规迹。作为中国儒道禅文化资源哺育下的新文人,在宏观视野里还接受外来文化的挑战。在冲突、对立之后开始理性地走向交融、对话,开始重新整合。当代文化语境下的新文人所面临的功利、诱惑、异化,较之古代文人更多,矛盾更为激烈。中西文化的冲突与融合,古今美学的流变与整合,民间、宫廷趣味与文人趣味的对立与交融,大众娱乐文化与上层精英文化的对立与并行,在当 The calligraphy of the new scholar, as an artistic symbol of the period of cultural transformation, more typically reflects the existence of Chinese culture in the new environment. As a new scholar nurtured by Confucianism, Buddhism and Taoism in China, it is also challenged by foreign cultures from a macro perspective. After the conflict and the opposition, they began to rationally converge, dialogue and began to reintegrate. The utilitarian, temptations and alienation faced by the new writers under the contemporary cultural context are more intense and contradictory than the ancient literati. The conflict and integration of Chinese and Western cultures, the rheology and integration of ancient and modern aesthetics, the confrontation and blending of folk, court interest and literary taste, the antagonism and parallel between mass entertainment culture and elite elite culture,