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李颀是唐开元、天宝年间的重要诗人,他善“解赏”音乐,并能运用艺术感知,把听之有声、触之无形之音乐,用语言表现出来。他的三首咏乐诗,综合运用比喻、通感、夸张、用典等多种表现手法,把音乐艺术转化为语言艺术。李颀以诗歌语言再现音乐艺术的成功尝试,对唐代咏乐诗的发展功不可没。白居易《琵琶行》、李贺《李凭箜篌引》、韩愈《听颍师弹琴》等著名咏乐诗都有借鉴李颀描写音乐的痕迹。
Li Xun is an important poet during the Tang Kaiyuan and Tianbao years. He is good at “appreciating music” and can use artistic perception to express his intimacy and invisibility with the language. His three Cha Yong poems, the integrated use of metaphors, synaesthesia, exaggeration, with a variety of performance techniques, the music into the art of language. Li Yong’s successful attempt to reproduce the art of music in the poetic language contributed to the development of chanting poetry in the Tang Dynasty. Bai Juyi’s “Pipa”, Li He’s “Li Ping 箜 篌 cited”, Han Yu, “Listen š Shijin” and other famous chant poems have borrowed Li 颀 description of the traces of music.