台湾原住民作家在省思自身的族群身分认同与定位时,常常充满了矛盾与挣扎,在各人身上呈现出不同状态,也产生不同的影响和作用。透过对排湾族女作家利格拉乐.阿女乌和卑南族女作家董恕明的个人体验及其作品的分析,可以帮助我们更好地理解和认识作家们最终的抉择和为之付出的行动和努力。在一定程度上,现代台湾原住民文学的发展过程可以视作台湾原住民族文化认同的动态历程。被记录在文学中的自我文化认同,使台湾原住民能够藉以自身为主体的文化身分的重新书写,确认自己真正的文化品格和文化精神,并成为民族的集体无意识和精神向心力。 Taiwan’s aboriginal writers are often full of contradictions and struggles when they think of identity and orientation of their own ethnic groups. They show different states in each other and have different influences and roles. By analyzing the personal experiences and works of the Paiwan female writers, Legola A Nuwa and Puyuma women writer Dong Shuiming, we can help us better understand and understand the writers’ final choices and contributions Action and effort. To a certain extent, the development of modern aboriginal literature in Taiwan can be regarded as a dynamic process of Taiwan’s indigenous identity. The self-cultural identity recorded in literature enables Taiwan’s aborigines to re-write their own cultural identity and confirm their true cultural and cultural spheres and become the collective unconscious and spiritual centripetal force of the nation.