阿·托尔斯泰曾把语言喻为“一种非常神奇的电波”,作家和诗人就是利用这种电波把“自己的感情,美妙的幻想和各种思想”传送给读者。他惊叹道:“语言,是一种魔力”。是的,它“不是蜜,但它可以粘住一切”(高尔基语)。语言在文学创作中,还有什么不能够穷形尽相,写照传神的呢?一个人,无论他生前如何魁伟,如何俊美,终究逃脱不了一死,不留下一点痕迹。但借助语言的描绘,却给世间留下了一不幅幅永不衰朽的肖象:“身长八尺,豹头环跟,燕颔虎须,声若巨雷,势若奔马。”读过《三国演义》的人,有谁不知道这是燕人张翼德的“形貌异常”的肖象。林黛玉是怎样的一个人呢?“两弯似蹙非蹙笼烟眉,一双似喜非喜含情目,态生两靥之愁,娇袭一身之病,泪光点点,娇喘微微,闲静似娇花照水,行动如 Tolstoy once referred to the language as “a very magical electric wave,” which is used by writers and poets to send “his feelings, wonderful fantasies, and thoughts” to readers. He exclaimed: “Language, is a magic.” Yes, it’s “not honey, but it can stick to everything” (Gorky). Language In literary creation, what else can not be poorly illustrated, vivid portrayal? A person, no matter how exquisite and how handsome during his lifetime, after all, can not escape death, leaving no trace. However, with the depiction of language, the world has left a portrait of a never-ending decay: “Eight feet in length, with a leopard’s head, a tiger’s beard and a thunder, Anyone who has passed the Romance of the Three Kingdoms did not know that this is a portrait of Yan Yizhang’s ”abnormal appearance“. Lin Daiyu is what kind of a person? ”Two curved like non-caged tobacco smoke, a pair of likes like non-hi affectionate, two anxious state of anxiety, Jiao a disease, tears, Jiaochuan slightly, quiet Like dipped water, action as