《潘·阿波廖克》有别于巴别尔《红色骑兵军》中其他以犹太平民、哥萨克骑兵为叙事对象的作品,而是以从事圣像画创作的画家潘·阿波廖克为对象,画家用玩世不恭消解神圣,在艺术也变得无家可归的战乱中,他是巴别尔笔下流浪在战争废墟之中的缪斯。 Unlike other works of Jewish civilians and Cossacks cavalry in the “Red Cavalry Army” of Babel, “Pan Apollinak” is directed at artist Pan Apollinau, who paints iconography, The painter used cynicism to dispel sacredness and, in the midst of a war of art that became homeless, was the muse of Babel’s wandering among the rubble of the war.