戴锦华老师是这方面的专家,在她后面发言有点压力,何况我对电视剧生产毫无经验。虽然以前也有过作品改编成电影,也承担过剧本写作,但这样一点小小的经验实际上太不够了。而且那些经验对于我来说都很难受,主要的原因是影视生产完全是团队行为,这与写小说很不一样。小说家都是个体户,在键盘或稿纸面前你就是一个帝王,想怎么干就怎么干,调动千军万马,想谁死就谁死,想谁活就谁活,但电视电影完全不是这么回事儿。它必须各方面互相协作和妥协,甚至导 Tai Chih-hua is an expert in this field. She spoke a little bit behind her, not to mention I had no experience in the production of drama. Although there have been works that have been adapted into movies and script writing before, such little experience is actually not enough. And those experiences are very uncomfortable for me, the main reason is the film and television production is completely team behavior, which is very different from writing novels. Novelists are self-employed, in front of the keyboard or manuscript you are an emperor, like how to do how to do it, to mobilize the mighty force, who wants to die who die, who wants to live who live, but the TV movie is not so back thing. It must collaborate and compromise on all aspects and even guide it