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最近一个时期,在全国风起云涌地编演京剧现代戏的热潮中,绝大多数京剧工作者都以具体的行动显示了自己对社会主义事业、对社会主义戏剧艺术和对自己的剧种的高度政治热情、高度政治责任感和高度的集体主义精神。他们刻苦钻研,深入生活,大胆创造,通过艰辛的艺术劳动,创造出越来越丰满美好的现代戏果实。京剧艺术的革命已有了良好的开端,令人十分高兴;而京剧工作者进一步提高了阶级觉悟,更坚定地走上了革命化的道路,更是可喜可贺,值得为之三进祝酒的。比起许多地方戏曲来,京剧在艺术积累上是更丰富,家底更为殷实的。这是一件好事。我们现在和将来都要批判地继承和改造这些家底中的优秀部分,决不会加以舍弃;但是,如果这些财富的主人
In the latest period, in the upsurge of nationwide surrouding of modern opera in Peking Opera, most of Beijing opera workers showed their own specific enthusiasm for the cause of socialism, the art of socialist drama and their own plays by concrete actions. The height Political responsibility and a high degree of collectivism. They study hard, live in depth, boldly create, and through hard artistic work create the fruits of an increasingly plump and beautiful modern drama. It is very encouraging that the art of Beijing opera has made a good start. Beijing opera workers have further enhanced their class consciousness and embarked on a revolutionary path with determination. It is even more gratifying to celebrate the success of the third opera house. . Compared to many local operas, Beijing Opera is richer in art accumulation and has a more solid family background. This is a good thing. We must now, and in the future, critically inherit and transform the good parts of these families and never give up; but if the owners of these riches