从明末开始,画家曾鲸以其精湛的技艺把肖像画推向了更高的层次,从而肖像画艺术得以萌发其新的活力。他的绘画精神被大量的弟子所传承,在江南形成了持有同一艺术理念的地域性画派——“波臣派。”本文以曾鲸的肖像画风格的形成“波臣之学”——“墨骨法”为线索,对曾鲸肖像画做分析研究,进而说明其对后世的影响。 Since the end of the Ming Dynasty, painters have wielded their exquisite skills to portraits to a higher level, so portraits can sprout new vitality. His painting spirit was inherited by a large number of disciples, and a regional school of art with the same artistic concept was formed in Jiangnan - “Bauchen School.” This article is based on the portraiture of a whale “- ” ink and bone method "as a clue, did a research on the once whale portraits, and then explain its impact on future generations.