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重读映泉的长篇历史小说《鸟之声》[1],始则惑然,继则惘然,终则豁然。疑惑的是映泉何以会抛弃他已经熟悉并取得过巨大成绩的现实生活题材?迷惘的是在当下清宫戏、打斗戏、床头戏充斥书摊、荧屏的文化大环境下,这部以先秦楚国史作为表现对象的小说能够成功吗?重读后豁然开朗,因为作家有他自己独特的创作理念和追求,三部曲几近完美地实现了这种追求。《鸟之声》是《王者之歌》三部曲之一,以楚庄王作为主要表现对象。以下主要从人物形象、文体建构、史识表达等方面
Re-read Ying Quan's long historical novel “The Voice of the Bird” [1], the beginning of the confusion, then the sudden, and finally suddenly. Puzzled is why Yingquan will abandon what he has been familiar with and achieved great achievements in the real life theme? Lost in the current Qing Dynasty drama, fighting drama, bed stalls full of bookstalls, screens of cultural environment, this pre-Qin The novel of Chu State history as the object of performance can succeed? Reread after reading suddenly, because the writer has his own unique creative ideas and the pursuit of the trilogy almost perfect realization of this pursuit. “Voice of the Bird” is one of the trilogy of “Song of the King”, with Chu Zhuang as the main object of performance. The following mainly from the image of characters, style construction, historical knowledge expression and so on