报载,有一位年轻的摄影师别出心裁地把照相机扛在肩上,镜头向后,在天津市最繁华的劝业场一带转悠。他一边走一边摁动快门,胡拍乱照。他认为这样的照片排斥了摄影者的选择和被拍摄者的做作,排除了一切人为的痕迹,具备最原始的真实,因而也最有价值。他拍了五卷胶片,冲洗出来之后,他被自己的“杰作”惊呆了,其中有特写,有大场面,上面的几百张面孔是各式各样的表情:有晦暗的,猥琐的,迟钝的;有的眼睛盯着地下,似随时准备捡钱包;有的斜眼看人或怒目而视;有拉拉扯扯的,你拥我挤的,搭肩挽臂的;有张嘴大叫或大骂的,或孩子大哭大人顿足的。然而,就是没有一张笑的。虽然这是由相机自然拍摄的最自然不过的场景,却没有那份平和、欣然与无所得失的自然,只有一色的紧张、嘈杂和不安。 According to the newspaper, a young photographer ingeniously carried his camera on his shoulder and shot backwards, wandering through the most prosperous Quanye Field in Tianjin. As he walked he moved the shutter and beat up. He believes such photos exclude the photographer’s choice and photographer’s work, ruled out all the traces of man-made, with the most primitive truth, and therefore the most valuable. He took five rolls of film, rinsed it out, and was shocked by his “masterpiece,” with features such as a close-up and a large scene where hundreds of faces were all sorts of expressions: dull, insignificant , Stupid; some eyes staring underground, ready to pick up the wallet; some squinting or glaring; pull pull pull, you hold me crowded, take the arm shoulder arm; a mouth shouting or cursed Or children cry adults adults. However, there is no one laugh. Although this is the most natural scene shot naturally by the camera, it is not the only peaceful, happy and unprofitable nature that has only one color of tension, noisyness and unease.