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对语言符号的创造,是人类智慧的结晶。然而,在使用上,人们又总是面临着有限的语言与无限的意义之矛盾。一向被称为驾驭语言的高手的文学家,也常常因文不逮意,意不称物而陷入“语言的牢笼”。为摆脱这种难以言说的痛苦,文学家进行着不懈地努力和探索。“艺道并进”作为一种途径,意味着文学才能的优化。当文学创造者做到了文学之才与文学之能并举,并在“自然而然”中进入无目的合规律性的创造境界,方能为突破“语言的牢笼”提供可能。
The creation of language symbols is the crystallization of human wisdom. However, in use, people always face the contradiction between limited language and limitless meaning. Writers who have long been known as masters of language manipulation often fall into the trap of “language” because of their inattention to meaning and meaninglessness. In order to get rid of this unspeakable pain, writers are making unremitting efforts and exploration. “Arts Road to go hand in hand ” as a way, means that the optimization of literary talent. When the literary creator achieves both the literary genius and the literary ability and enters the goalless goal of creating a state of law in “Nature ”, it is possible to break the “cage of language”.