意象是现代文学批评体系的重要构成,也是一个颇为含糊的术语,它可以让诗歌具体化而不抽象,泛指诗歌作品能够涉及的一切情感、物体、精神,而不管这些事物是用什么形式、体裁来表达的,都能够为读者传递出创作者所构思的内心心象世界,所以说读诗必须要先读懂意象。本文从英国文艺复兴时期的诗歌出发,对当时学者所作的诗歌意象进行分析,并对其作品中富含的人文精神进行深入研究。 Imagery is an important part of modern literary criticism system. It is also a rather ambiguous term that can be embodied in poetry rather than abstraction. It generally refers to all the emotions, objects and spheres involved in poetry works, regardless of the form in which these things are used , Genre to express, are able to pass out to the reader creators of the inner world of the heart, so to read poetry must first understand the image. Based on the British Renaissance poetry, this article analyzes the poetic images made by scholars at that time and deeply studies the rich humanistic spirit in his works.