日本小说家小川洋子,在她的小说《沉默博物馆》中讲述了一座以遗物的搜集、呈现为趣好的博物馆,和它的建造者们之间发生的故事。书中的一位建造者提到:“有人死去,逝者的一件遗物會被收入馆中,这件遗物必须是其确实存在的最生动、最忠实的证据。”这一点似乎有趣。区别于普世观念里面的“遗物”一词,书中将“逝者生前最爱、最贵重、最常使用的物品”这一客观的筛选规则,转换为一种更加主观的审核方式:“建造者们认为最能体现逝者的存在的物品”。可以看到,讨论的问题变化成为:一 The Japanese novelist Yokohama Ogawa tells the story of a museum with its collection of artifacts, a museum of fun, and its builders in her novel Silence Museum. One of the builders in the book mentions: “Someone died, and one of the remains of the deceased would have been taken to the pavilion, which must be the most vivid and faithful evidence of its existence.” It seems interesting . Different from the concept of “relics” in the universal notion, the book turns the objective screening rule of “the favorite, the most valuable and the most commonly used thing in life” into a more subjective Audit mode: “builders think that the best embodiment of the existence of the deceased ”. As you can see, the issues discussed are changing as follows: