论文部分内容阅读
如今以电子影像文化为主体的视觉文化,已经成为大众社会的典型文化,成为代表着后现代主义美学特征的文化形式。学者们从来没有停止过对此种文化的反思和批判。此文意在以阿多诺和本雅明的批判理论为源头,梳理以电子影像为主的视觉文化的批判逻辑,并发掘此二人理论的现实意义。
Today, the visual culture based on the electronic image culture has become the typical culture of the mass society and has become the cultural form that represents the postmodern aesthetic features. Scholars have never stopped rethinking and criticizing this culture. This article is based on the critical theories of Adorno and Benjamin as the source, combing the critical logic of the visual culture based on electronic images and exploring the practical significance of the two theories.