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与20世纪艺术界和艺术理论界对美和审美经验的拒斥不同,在当前的社会生活和思想研究中重新兴起了对美学的兴趣,人们再次关注起美的观念和对象的审美属性等问题。当其他领域正迅速地向美学复归时,哲学美学确实会发生分化。首先,在以分析为基础的趋向和以历史为基础的趋向之间有一种方法上的分化。其次,更为根本的是在作为经验研究的美学和作为艺术哲学的美学这两者之间存在着不断扩大的分化。
Different from the rejection of beauty and aesthetic experience by the art circles and art theorists in the 20th century, the interest in aesthetics revived in the research of current social life and thought, and people once again focused on the beauty and the aesthetic attributes of the object. Philosophical aesthetics does indeed differentiate when other fields are rapidly returning to aesthetics. First, there is a methodological differentiation between analytic-based and histori- cal-based trends. Second, more fundamentally, there is a growing division between the aesthetic of empirical research and the aesthetic of artistic philosophy.