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传统意义的文坛,也就是不含影视歌舞的文坛,正从大众生活中渐渐淡出。而文坛自家圈内的人,却依然过得十分热闹。尽管文坛之坛也在不断缩小,而老英雄、新好汉们仍纷纷拍马而来,各自亮出古旧的宝刀或新打磨的锐器,一时鼓角齐鸣,旗帜纷张,煞是好看。这是世纪末文坛的第一大景观,冷氛围中的热与乱。眼下文坛有一区别于过去的心态,即,浮躁。这浮躁缘于市场经济的作用。不少人在鱼与熊掌不可兼得的窘境里迷失了自我,在传统道德与物质诱惑的夹缝中不知所措,为失去了大众当前的关爱与社会过去的尊崇而躁动不安,所以,这种不能把握未来走向与自身价值的浮躁,成了世纪末文坛的第二大景观。
The traditional literary world, that is, no film and television literary arena, are gradually fading from the public life. The literary circles within the circle, but still live a very lively. Although the altar of literary arena is also shrinking, and the old heroes, new good guys are still flattering, each showing old knife or new sharpening sharpener, moment drum angle Qi, banner flattery, is truly beautiful. This is the first major landscape of the literary world at the end of the century, the heat and chaos in the cold atmosphere. Now the literary world has a different from the past mentality, that is, impetuous. This impulsive due to the role of market economy. Many people have lost themselves in the incompatible fish and bear’s paw. They are overwhelmed by the confusion between the traditional morals and the material temptations, restless and disturbed by the loss of the public’s current care and the respect of the past of society The impossibility of grasping the future direction and its own value has become the second largest landscape of the literary world at the end of the century.