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德·基里柯、卡拉和莫兰迪的后期作品 “形而上画派”的三位先锋画家在这一流派衰落后便恢复了各自的道路,而他们的道路也偶有交叉。德·基里柯(De Chirico)于1918年至1919年的冬天从军队退役,由费拉拉移居罗马,以他的作品《浪子回头》宣告他重新回到古典主义,他的这幅作品显示了拉斐尔精神。此外,1919年间他还完成了几幅优秀的小幅静物画,在这些画中,他那种“形而上的”奇想全为一些普通题材的感性表现所代替。现在他公开号召他的伙伴们“重新注重绘画技巧”,重新注重曾为他一度认为次于哲理性内容的绘画艺术特点。(说来也奇怪.在1920年他首
Three avant-garde painters, the late metaphysical painters of De Kiirico, Carla and Morandi, restored their own paths after the fall of the genre, and their paths were occasionally crossed. De Chirico, who was retired from the army in the winter of 1918-1919 and emigrated to Rome by Ferrara, announced his return to Classicism with his work The Return of the Prodigal Son, his work showing Raphael spirit. In addition, in 1919 he completed several excellent small still life paintings in which his “metaphysical” wonders were replaced by the perceptual performance of some ordinary subjects. Now he publicly calls on his partners to “re-focus on painting skills” and to re-emphasize the artistic characteristics of paintings that were once considered second to philosophical content. (Strange to say, in 1920 he first