中国民族艺术是民族文化的重要组成部分,是中华民族在其历史发展中产生的具有本民族特点的艺术总称。从跨文化传播的视角来看,我国民族艺术在对外传播中具有经典众多、内涵深厚、独树一帜等先天优势。近年来,我国当代艺术家们利用这些优势逐渐在世界艺术届获得了身份独立,传达了当代中国民族艺术自身的话语逻辑,艺术家个人的成功也带动了中国民族艺术语言的嬗变。本文将徐冰、吕胜中、蔡国强等当代艺术家的作品作为研究的切入点,以文化经典的图像生成、民间艺术的图像重构、科技与传统图像的共生的转换方式对跨文化传播中艺术经典民族性问题进行诠释。 Chinese national art is an important part of the national culture and is the general term for the Chinese nation that has its own national characteristics as a result of its historical development. From the perspective of intercultural communication, Chinese national art has the inherent advantages of being rich in tradition, profound in content and unique in its external communication. In recent years, Chinese contemporary artists have gradually gained status and independence in World Art Festival by conveying these advantages and have conveyed their own discourse logic of contemporary Chinese national art. The success of individual artists has also driven the evolution of the language of Chinese national art. This article takes the works of Xu Bing, Lv Shengzhong, Cai Guoqiang and other contemporary artists as the starting point of the study, and analyzes the characteristics of cross-cultural communication such as the classic image generation, the image reconstruction of folk art, the symbiotic transformation of science and technology and traditional images Sexual problems are explained.